Great Alto Sax Players Full Throttle Also
As Duke Ellington says in one of his most popular compositions "It Don't Mean A Thing If It Ain't Got That Swing".Lees playing epitomises New Orleans Rock & Roll, he was a member of the famous Cosimos studio house band (along with Red Tyler on baritone.Through the creation of this website, my main goal is to spread God’s message of love, through showcasing current Gospel Saxophonist and Christian Saxophone Players. Swing gives a more relaxing feel to the music, but at full throttle also injects high energy into the listeners ears and to dancers movements. It is pitched in E, and is smaller than the tenor, but larger than the soprano.What defines swing is that in 4/4 time, the accents of the beat are on 2 and 4, whereas music like polkas, folk, etc., the accents are on 1 and 3. The alto saxophone, also referred to as the alto sax or simply the alto, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846.
A swing band had to be tight and the musicianship precise in order to play the charts, but at the same time the musician had to think literally on their feet because improvisation was also the main component of jazz. Louis Armstrong introduced the concept of the individual soloist, the concept of swing, and as such, it required a higher level of musicianship from the players, because now they would be up front, not lost in the jumble of sounds from the other players in the band.When Louis Armstrong left New Orleans to go to Chicago, then eventually for New York which would become his permanent home (when he wasn't constantly on the road), he established jazz as a legitimate force in music, a music that required as high a level of musicianship as classical music. In Dixieland music, the musicians played what was called collective improvisation, where all the players would be playing their solos at the same time, like in parades at Mardis Gras. Then came Louis Armstrong, who really gets credit for bringing jazz to the world, and the concept of swing that is the basis for jazz.
He was the most lyrical of all alto saxophonists, but he could also play a gutsy blues when the occasion called for it. His sound could be characterized as smooth, very vocal, with a firm blues base. Ellington considered Hodges alto as important to the overall sound of the orchestra, and Duke along with Billy Strayhorn composed several pieces to showcase his unique voice. Through the years he would leave Ellington to form his own small combos, but would always eventually end up back with Duke until his death in 1970. He moved to New York and achieved prominence as the lead alto with the Duke Ellington Orchestra.
He was the first to arrange for what would be the standard modern saxophone section, and he was as talented on the trumpet as he was on the alto. His career spanned 80 years, from the beginnings of jazz way into the modern era, outliving his contemporaries and many of his musical descendants. John Coltrane also cited Hodges as an influence, and in fact apprenticed under him in one of Hodges small combos when he took a sabbatical from the Ellington Orchestra in the 1950's.The second of the original swing era stylists, Benny Carter was and is my main influence on the alto saxophone.
He is a music education unto himself".Lester "Pres" Young was one of the most original stylists on the tenor sax. Miles Davis has said, "Everyone should listen to Benny Carter. Johnson, Art Pepper and Kenny Clarke. He has scored for Hollywood movies and TV shows (M Squad with Lee Marvin), arranged for other bands like Gene Krupa and Count Basie, lead his own big bands that would feature musicians who were later to form the basis of modern jazz, like Dizzy Gillespie, Miles Davis, Max Roach, J.J.
His fluid lines, based on the thematic approach as opposed to the chordal approach were the opposite of the Hawkins style, and he influenced future generations of saxophone players in the modern era. They were the perfect compliment to one another. He also made many legendary recordings with Billie Holiday, and in fact he was the one who dubbed her "Lady Day". He finally found a home with the Count Basie Orchestra, becoming one of the most influential tenors in jazz.
Intermediately Priced Pro Saxophones For The Worki. Great Saxophonists From The 1920's Through The Swi. "I'm A Jazz Musician, Not An Entertainer" He died in 1959, and Charles Mingus wrote "Goodbye, Pork Pie Hat" as a tribute to his memory. He was misunderstood much in his life, and that lead to many personal problems.
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